العمل الإبداعي
أفلام CoMix Wave - شاشات ColorEdge المستخدمة في إنتاج فيلم الرسوم المتحركة "Suzume"
شاشات ColorEdge المستخدمة في إنتاج فيلم الرسوم المتحركة Suzume للمخرج Makoto Shinkai
| تم إصدار فيلم الرسوم المتحركة Suzume للمخرج Makoto Shinkai في جميع أنحاء اليابان في نوفمبر 2022، وحقق نجاحًا كبيرًا مع أكثر من 11 مليون مشاهد. تم إصداره دوليًا في عام 2023 من خلال قنوات توزيع مختلفة. تستخدم شركة الإنتاج التي عملت على الفيلم، CoMix Wave Films (المشار إليها فيما يلي باسم CWF)، شاشات EIZO لإنتاجاتها لفترة طويلة. بالنسبة لفيلم Suzume ، قاموا مؤخرًا بتثبيت شاشات إدارة الألوان ColorEdge التي يديرونها عبر الشبكة. الموقع الرسمي لـ Suzume |
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© 2022 شركاء فيلم "سوزومي" |
أجرينا مقابلة مع السيد ماساهيدي مياكوغاوا، المسؤول عن نظام إدارة الألوان في الاستوديو أثناء عملية الإنتاج، والذي يعد أمرًا بالغ الأهمية للتعبير عن عالم ماكوتو شينكاي.
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أفلام CoMix Wave من شركة Masahide Miyakogawa لإدارة الأنظمة |
أخبرنا لماذا قررت تثبيت شاشات ColorEdge إضافية عند بدء إنتاج هذا الفيلم.
كان هدف تركيب ColorEdge هو إنشاء بيئة حيث تكون الألوان التي يراها كل من يعمل رقميًا متسقة ودقيقة، وليس فقط بالنسبة للقلة الذين يشاركون بشكل مباشر في إدارة الألوان.
نفذت CWF نظام إدارة الألوان لإصدار فيلم ماكوتو شينكاي Your Name عام 2016. تم اختيار شاشة ColorEdge CG277 من EIZO كشاشة مرجعية لموظفي الإنتاج المشاركين في تصنيف الألوان وغيرها من المجالات حيث يكون للون تأثير خاص. بالنسبة لفيلم Shinkai لعام 2019، Weathering With You ، تم تثبيت العديد من الشاشات الإضافية من سلسلة FlexScan من EIZO، بشكل أساسي شاشات مقاس 27 بوصة، لأعضاء آخرين من الموظفين. تم التعامل مع ضبط لون الشاشات بواسطة Imagica Entertainment Media Services Inc. (المشار إليها فيما يلي باسم Imagica EMS) وتم ضبطها وفقًا لكل مشروع فيلم. دراسة حالة Weathering With You
After finishing production on Weathering With You, I attended a color management seminar hosted by EIZO. I learned about the differences between the DCI-P3 color space and sRGB, the need for wide gamut monitors, and recognized the difference between software calibration, which is used to calibrate standard monitors such as FlexScan, and hardware calibration, which can be performed on color management monitors such as ColorEdge.
Until then, our staff had been using FlexScan monitors that were color adjusted by Imagica EMS. However, this still left us with the drawbacks of using monitors that were not designed for color management, such as color drift over time and the difference in the visual characteristics of an sRGB gamut compared to what Director Shinkai was using – an Apple monitor with Display P3.
So, when we started production of Suzume, we upgraded the monitors from FlexScan to ColorEdge CS2731, which we felt offered great quality at a reasonable price for our budget.

ColorEdge CS2731 Monitors in CWF’s Production Area
You have also started to do network color management with this latest installation. Can you elaborate?
We use color management consulting services from Imagica EMS. One of the services they provide is the operation of EIZO's ColorNavigator Network - a solution that enables the collective management of ColorEdge monitors registered in a network.
We decided to install the CS2731 because in 2021, ColorNavigator Network became compatible with the ColorEdge CS series. I was the only system administrator in the company, so it was impossible for me to maintain the nearly 50 main monitors in the company without centralized management.
The fact that Imagica EMS was able to remotely check the color mode and calibration status of the monitors under our management using ColorNavigator Network, and provide us with advice and comprehensive support, gave us peace of mind.
Tell us about the installation of the monitors.
When we received approval to purchase the monitors, we prepared an environment for DCI-P3 reproduction where we could compare color differences, such as between the screens of notebook PCs and iMacs, and share the results with relevant parties.

We started with four monitors and had our staff compare colors so they understood that they needed monitors that could reproduce the DCI-P3 color space. In addition, EIZO gave us opportunities to train our staff with basic knowledge of color management, which increased their interest in the subject.
After confirming that there were no operational problems, we installed a further 25 units. All CS2731s were delivered to the Imagica EMS darkroom, where they were calibrated using sophisticated measuring equipment before being delivered to us. Now, every time we hire new staff, we get more monitors. As of today, we have 42 CS2731 monitors in use.
The timing of the installation was challenging, as it was in the middle of COVID, but the EIZO sales staff did a fantastic job of accommodating us, for which we are very grateful.
Have you found CS2731 and ColorNavigator Network to be effective?
The time and effort required to manage our monitors has been greatly reduced. Before, sometimes our staff would change settings or color profiles unintentionally, and I wouldn’t know. But now I can remotely monitor the color environment without having to check the actual equipment. This allows me to handle such cases more quickly and reliably.
During COVID, staff would sometimes work from home. It was very convenient to be able to check the status of the CS2731 over the network without having to go to each person's home. I am sure ColorNavigator Network would be a useful solution for studios with multiple locations.
Unlike the CG series, which has a built-in calibration sensor, the ColorEdge CS series requires manual calibration using an external sensor, but I don't find it too inconvenient. Rather, I find that having the staff make regular adjustments themselves helps them take an interest in the color of their monitors.
I believe that the goal of Systems Management is to create an environment where creators can work without stress and without burden. In that sense, using ColorEdge gives me more peace of mind. In digital work, it is the monitor that we see for final confirmation, so I feel that the peace of mind of knowing that we are seeing the same colors is truly priceless.
Finally, do you have any requests for EIZO?
I know that the 27-inch 4K ColorEdge CG2700X of the CG series was recently released. I wish it had come out just three more years earlier, because people using the iMac 5K have been asking for 4K (laughs).
I would like to see more opportunities for creators to learn about color space and color management. I look forward to more seminars and other promotional activities from EIZO.![]()
Special thanks to CoMix Wave Films for their cooperation.
Website
Deployed Products
- ColorEdge CS2731
- ColorEdge CG277 (Successor Model: CG2700S)
- ColorNavigator Network
- صور السيد مياكوغاوا مقدمة من Imagica Entertainment Media Services. (المصور: كازومي موريساكي)



